Primary colors
Layouts lean on yellow, gold, brown, dark brown, and white. Secondary colors join them when a scheme needs balance.
05 — Color
Brown and gold are the heritage. Secondary colors break up longer stories and shift the tone. White space keeps it modern.
Click a swatch to copy the HEX. Click RGB, CMYK, or PMS to copy that value.
Layouts lean on yellow, gold, brown, dark brown, and white. Secondary colors join them when a scheme needs balance.
Rich supporting colors for hierarchy and a younger energy. Light gray is shown with its 50% tint in the guide. Logos do not sit on these colors.
Secondary color changes the tone. Prospective undergraduates can carry more of it. Formal audiences get very little. These stacks are a guide to proportion, not a closed set of recipes.
The primary palette is the common ground.
Brown, gold, dark brown, white. Secondary color stays quiet.
Secondary colors come forward for a more energetic audience.
Each cell shows that text color on that background. LS passes WCAG 2.1 AA for body text and large text. L is large text only: 18 pt, or 14 pt bold. A dash fails. Size still changes real-world legibility.
Grades are calculated from the published HEX values. The printed matrix groups Yellow and Gold as “Yellow(s).” They are split here because gold fails pairs that yellow still passes, including teal and magenta at body size.
| Text | Yellow | Gold | Brown | Dark Brown | White | Light Blue | Teal | Orange | Magenta | Light Gray | Black |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Yellow |
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—
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LS
|
LS
|
—
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—
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LS
|
L
|
LS
|
—
|
LS
|
| Gold |
—
|
—
|
LS
|
LS
|
—
|
—
|
L
|
—
|
L
|
—
|
LS
|
| Brown |
LS
|
LS
|
—
|
—
|
LS
|
LS
|
—
|
—
|
—
|
LS
|
—
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| Dark Brown |
LS
|
LS
|
—
|
—
|
LS
|
LS
|
—
|
L
|
—
|
LS
|
—
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| White |
—
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—
|
LS
|
LS
|
—
|
—
|
LS
|
L
|
LS
|
—
|
LS
|
| Light Blue |
—
|
—
|
LS
|
LS
|
—
|
—
|
L
|
—
|
L
|
—
|
LS
|
| Teal |
LS
|
L
|
—
|
—
|
LS
|
L
|
—
|
—
|
—
|
LS
|
—
|
| Orange |
L
|
—
|
—
|
L
|
L
|
—
|
—
|
—
|
—
|
—
|
LS
|
| Magenta |
LS
|
L
|
—
|
—
|
LS
|
L
|
—
|
—
|
—
|
LS
|
L
|
| Light Gray |
—
|
—
|
LS
|
LS
|
—
|
—
|
LS
|
—
|
LS
|
—
|
LS
|
| Black |
LS
|
LS
|
—
|
—
|
LS
|
LS
|
—
|
LS
|
L
|
LS
|
—
|
For the most formal communications, where the tone should feel elevated. Think Office of the President, or a high-dollar donor request. The brown and gold shift, especially in negative space, and secondary color pulls back to teal and light blue. If you are unsure, ask University Marketing. Use the prestige logo with this palette.